

Pipe Organs Versus Electronic Organs
The time will come when your Music and Worship Committee is face to face with the responsibility of acquiring a new musical instrument for your institution. With that responsibility, will come the choice between acquiring an electronic organ or a fine pipe organ with centuries of tradition behind it. At first glance, the case for an electronic organ may seem strong; but after some informed investigation, it will become clear that it is no long-term competitor for the pipe organ.
(The following points are worth
consideration):
"Unification "
Electronic organs make use of the principle of unification, carrying it,
however, much too far. In a dollar for dollar comparison, the electronics have
fewer independent tone sources than equivalent pipe organs. This deficiency
becomes painfully obvious when comparing the musical effect of various stop
combinations with those of a Milnar pipe organ. While some electronic stops
may not be objectionable, the "chorus" effect result when several appropriate
stops are combined is noticeably deficient. This chorus effect in pipe organs
is a matter of natural acoustic synthesis and blending of sounds. This effect
is necessary to adequately support congregational singing, accompany choirs
and soloists and to produce the clarity and breadth of tone needed for the
works of the great organ composers.
"A Sound Reason "
The sound of an electronic organ is "synthetic", clashing with the "natural"
sound of the human voice. Of necessity, electronically generated tones must be
amplified and broadcast through loudspeakers, which tends to make the
resulting sound blatant and the projection highly directional rather than
naturally diffusing throughout a building. This situation may be improved by
adding numerous speakers, but this adds to the cost of the electronic and is
infrequently done. The pipe organ solves this by having a separate pipe for
each pitch, making possible a degree of diffusion and blend that just does not
occur with an electronic.
"Individual Design "
While the electronic organ for a certain church is a production line model
with few variables, each pipe organ built by Milnar is an individual
instrument custom designed and built for a particular place, tailored to the
acoustical situation and music program of that particular church.
"A Sound Investment "
Any fine pipe organ, regardless of size, should be considered as a permanent
investment which a church can look forward to enjoying from one generation to
the next. With a Milnar pipe organ, the only servicing involved is an annual
or semi-annual tuning visit. Because of the use of electro-mechanical note
valves, instead of membrane leather valves and micro-voltages in keying and
switching, only a nominal amount of service should be required for many
decades. On the other hand, electronics seem to require little tuning, but
experience shows that after a few years of use deterioration begins and
service calls become more frequent, more expensive and more complex. In fact,
a point is frequently reached after a number of years at which some parts are
no longer available. The electronic organ becomes a victim of planned
obsolescence at a time that the pipe organ is merely mellowing into maturity.
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